Explore Songscription's guides to music transcription, sheet music, MIDI, piano roll, and AI-powered music learning, plus product updates and company announcements from the Songscription team.
A full band on one recording is the hardest thing to transcribe, but you are often closer than you think, because the song frequently exists as separate tracks. With stems, a full-band score becomes several doable problems. Here is how to transcribe each part and assemble a real score.
If a piece is too hard to play, you do not have to give up on it. You can simplify sheet music two ways: let a leveler do it automatically, or trim it yourself in an editor. Here is what changes when you simplify, how to keep the song recognizable, and how to do it without losing the part you love.
A piano piece can feel out of reach because of dense chords, two busy hands, fast runs, or an awkward key, and each of those has a fix. Here is how to make a piano piece easier to play, by hand and with a leveler, while keeping the song sounding like itself.
You can sing a melody long before you can write it down. Here is how to turn a vocal recording, sung or hummed, into readable notation with AI: what the voice model gets right, where lyrics and runs trip it up, and how to clean up the result into a lead sheet you can keep.
A clean trumpet line is one of the friendlier things to transcribe automatically. The catch is that the trumpet is a transposing instrument, and that changes the key the part should be written in. Here is how to turn a trumpet recording into sheet music and get the key right.
Saxophone transcribes well when the line is exposed and single-note, but growls, altissimo, and the horn's transposition all shape the result. Here is how to turn a sax recording into sheet music and write it in the right key for the player holding the horn.
Arranging a song for saxophone comes down to two decisions: which line the sax should carry, and what key it reads in once you account for the horn's transposition. Here is how to take a song from a recording to a sax part a player can actually read and enjoy.
The trumpet plays one line at a time and reads in B-flat, so arranging a song for it is mostly about picking the right melody and putting it in the right key and range. Here is how to go from a recording to a trumpet part that sits well on the horn.
The flute reads in concert pitch and shines in its upper register, which makes arranging for it refreshingly direct once you respect its range and its need to breathe. Here is how to turn a song into a flute part that sounds good and is comfortable to play.
A Suno track is finished audio with no playable guitar part inside it. Here is how to pull the guitar out of a Suno song and turn it into tab you can read, by exporting the audio, isolating the guitar with AI, and exporting Guitar Pro or a tab PDF.
Some songs are written in keys that are brutal for a beginner. Moving a piece to an easier key, with fewer sharps and flats and a friendlier hand position, can be the difference between a student playing it and giving up. Here is how and when to do it.
Turning a violin recording into notation is harder than it looks. Bowing, vibrato, and double stops trip up most tools. Here is what AI transcription actually gets right for violin today, where it struggles, and how to get a clean result.
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